McTear's Timed | British & International Pictures Online

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

5

Quantity

1

300 GBP

Opening bid

300 GBP

Max bid

GBP

Estimate

1,500 - 2,500 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

AN OIL PORTRAIT OF A YOUNG MAN ATTRIBUTED TO BERNARD FLEETWOOD-WALKER

14

Quantity

1

0 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

200 - 300 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

15A

Quantity

1

1,800 GBP

Opening bid

1,800 GBP

Max bid

GBP

Estimate

2,000 - 4,000 GBP

JAMES KAY RSA RSW (SCOTTISH 1858 - 1942), LOCH LONG, AUTUMN oil on board, signed; titled on label verso 51cm x 61cm (approximately 20 x 24 inches) Framed (original) Label verso: T & R Annan & Sons, Glasgow. Note 1: In 1909 James Kay set up home in a house called "Crimea" at Portincaple on the banks of Loch Long and he was to live there until his death 33 years later. This painting is of a view he would have known very well and is probably the view from his home, or very close by. Note 2: Like so many of the other distinguished West of Scotland painters of that era, James Kay was a student at Glasgow School of Art. He also studied closely from nature, and developed early a distinct and colourful method of his own but influenced by the emergence of Impressionism in the 1880s.. He shared studios at first with two other young artists, James Stuart Park and David Gauld in Glasgow. He is not considered to be one of the ‘Glasgow Boys’, although he was friendly with many of them, especially Guthrie, George Henry, and E.A.Walton. Kay worked in a distinctive style and he achieved swift and considerable success both at home and abroad which in turn gained him the widespread respect and admiration of his peers. His first picture in the Royal Academy was 'Towed into Harbour on the Clyde', hung in 1889 and bought by a prominent English collector, and his first in the Paris Salon was in 1894. From then on he had works on display in most of the important exhibitions in Britain, Europe and America every year. In 1903 his canvas, ‘Toil and Grime’, a picture of shipping at the mouth of the River Kelvin, was awarded the silver medal and diploma of the Société des Amis des Arts at Rouen in France. The same year his ‘River of the North’, a winter scene in Glasgow’s busy harbour, gained the highest honour a foreign artist can receive at the hands of the Salon jury and of France when it was awarded a gold medal, and was purchased for The Luxembourg Collection. In 1906, he won the gold medal and diploma at the 37th Exposition Municipale des Beaux Arts de Rouen, where his picture ‘Winter’ was purchased for the Rouen Municipal Collection. The following year his ‘Launch of the Lusitania’ in the Royal Glasgow Institute of the Fine Arts was bought by the Corporation of Glasgow for the municipal collection. His subjects were wider than just the Clyde and shipping. He painted Glasgow city scenes and some of the Thames, and still farther afield, in pictures like ‘The Armada’ and ‘The Revenge’ which embody the sea romance of Elizabethan days, and in France, where he spent a lot of time, and Holland. 'Clyde Nocturne', a study of the Broomielaw (Glasgow), hangs in the National Gallery in Wellington, New Zealand. The Royal Scottish Academy hung over eighty of his paintings and he also exhibited prolific numbers at the Royal Glasgow Institute and at Glasgow Art Club. UK public collections include Glasgow Museums & Galleries, The Hunterian, Aberdeen, Dundee, Paisley, Leeds, Bradford, Newport, The City Art Centre (Edinburgh), the National Trust for Scotland and the Royal Scottish Academy.

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

PEACE, AN EARLY 20TH CENTURY INK & WOODSTAINED PANEL

17

Quantity

1

100 GBP

Opening bid

100 GBP

Max bid

GBP

Estimate

200 - 400 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

FLORAL STILL LIFE WITH RED GLOVES, AN OIL BY CATHLEEN MANN

20A

Quantity

1

1,500 GBP

Opening bid

1,500 GBP

Max bid

GBP

Estimate

3,000 - 5,000 GBP

* CATHLEEN SABINE MANN RP ROI THE MARCHIONESS OF QUEENSBERRY (BRITISH 1896 - 1959), FLORAL STILL LIFE WITH RED GLOVES oil on canvas, signed and dated 1944 61cm x 51cm (approximately 24 x 20 inches, image size) Framed (original) Note 1: The verso of the canvas holds another painting of a continental coastal village. Note 2: Cathleen Mann was born in Newcastle upon Tyne on 31 December 1896 to the Scottish painter Harrington Mann RE RP NEAC NPS (Glasgow 1864 - 1937 New York), the second of his three daughters. Her mother was the American portraitist Florence Sabine Pasley. Harrington Mann gave Cathleen painting lessons in his London studio, as did the portrait painter (Dame) Ethel Walker. Walker continued to tutor Cathleen even while the young artist was studying at Slade School of Fine Art in London. She later trained in Paris. Walker remained an influence on Mann and the two often exhibited together. Mann's art career was put on hold owing to the First World War, when she worked with an ambulance unit. By 1924 Mann had two portraits in the Royal Academy and exhibited there regularly from 1930. Cathleen was both talented and beautiful and on 18th March 1926 she married Francis Douglas, 11th Marquess of Queensberry, becoming his second wife. The marriage led some newspapers to refer to Mann as "the painting peeress", a term she apparently disliked. They had two children, David Douglas, 12th Marquess of Queensberry and a daughter. During the Second World War, Mann was appointed an official war artist, painting portraits of officers such as Adrian Carton de Wiart and the Allied commanders. As well as being reproduced in several publications including "Time Magazine", many of these paintings were exhibited in London and then toured America. She exhibited from 1920 at the Royal Academy, Glasgow Institute, Royal Society of Portrait Painters, the Royal Scottish Academy and the Society of Women Artists amongst others, and held a number of solo exhibitions including at Arthur Tooth Gallery, 1932, the Leicester Galleries, 1937, Reid and Lefevre Gallery, 1938 and 1954. Mann was elected a member of the Royal Institute of Oil Painters and the Royal Society of Portrait Painters. During the 1930s Mann also engaged successfully in costume design for numerous British films. Her work included The Iron Duke (1935) starring George Arliss and Things to Come (1937) starring Raymond Massey. Many of her costume design drawings are held by the Victoria & Albert Museum (London). She and Francis Douglas divorced in 1946 and in the same year she married John Robert Follett, the son of Brigadier-General Gilbert Burrell Spencer Follett, who had been killed in action during the First World War, and Lady Mildred Follet, daughter of Charles Murray, 7th Earl of Dunmore. Follett was a racehorse owner, but died in 1953, aged 46, shortly before Francis Douglas also died. The two deaths seemed to have caused Cathleen to have a nervous breakdown, but she continued to paint. She befriended the artist Sir Matthew Smith and was influenced by his work. During the last ten years of her life she experimented with abstract art, drawings of nude models and sculpture. Cathleen committed suicide on 9th September 1959 by taking an overdose of sleeping pills in her studio on Montpelier Walk, Brompton. Her son said she had recently been diagnosed with another attack of tuberculosis and she left a note stating that she was very worried about the illness. In 1960 a major retrospective exhibition of her work was held at the O’Hana Gallery, London. Cathleen Mann's paintings are held in numerous public collections including: The UK Government Art Collection, The French Government Art Collection, The National Galleries of Scotland, Glasgow Museums & Galleries, The National Portrait Gallery (London), The Imperial War Museum, The Royal Air Force Museum, Ferens Gallery, Leamington Spa Art Gallery & Museum, Sheffield Museum, Russell-Cotes Art Gallery & Museum, Birmingham University, Chelsea & Westminster Hospital, The National Trust, Bolton Museum & Art Gallery and The Victoria & Albert Museum. Her work is also held in numerous noted private collections of the British nobility and in the USA. Following her death, this epitaph appeared in The Times: Mr. H. Rowntree Clifford writes - "Many hundreds of people living in the dock district of south West Ham during the September bombing of 1940 owe their lives to the determination and courage of the late Cathleen Mann. As Marchioness of Queensberry she used her name and the strength of her personality to break through official difficulties and to commandeer transport by both road and rail to carry numbers of helpless and in some cases crippled people to safety. I remember the humble duty she offered to those who were deprived of their families."

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

25

Quantity

1

0 GBP

Opening bid

200 GBP

Max bid

GBP

Estimate

600 - 900 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

28

Quantity

1

1,000 GBP

Opening bid

1,000 GBP

Max bid

GBP

Estimate

1,500 - 2,500 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

31

Quantity

1

0 GBP

Opening bid

20 GBP

Max bid

GBP

Estimate

100 - 200 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

DALCHULLY, STRATHCARN, AN OIL BY JOHN SMART

34

Quantity

1

100 GBP

Opening bid

100 GBP

Max bid

GBP

Estimate

400 - 600 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

ARGDOUR, ARGYLLSHIRE, A PASTEL BY MARY YATES

41

Quantity

1

0 GBP

Opening bid

20 GBP

Max bid

GBP

Estimate

100 - 200 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

CRAMOND, A WATERCOLOUR BY JOHN ERNEST AITKEN

46

Quantity

1

150 GBP

Opening bid

150 GBP

Max bid

GBP

Estimate

400 - 500 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

SAILBOATS IN ROUGH SEAS, AN OIL BY JOHN CAMPBELL MITCHELL

54

Quantity

1

200 GBP

Opening bid

200 GBP

Max bid

GBP

Estimate

500 - 800 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

56

Quantity

1

35 GBP

Opening bid

35 GBP

Max bid

GBP

Estimate

150 - 250 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

BEN CRUACHAN FROM CONNEL, A PATSTEL BY MARY YATES

61

Quantity

1

0 GBP

Opening bid

20 GBP

Max bid

GBP

Estimate

100 - 200 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

INTERIOR GENRE SCENE WITH FIGURES, AN OIL

63

Quantity

1

0 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

200 - 400 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

65

Quantity

1

0 GBP

Opening bid

20 GBP

Max bid

GBP

Estimate

100 - 200 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

71

Quantity

1

0 GBP

Opening bid

300 GBP

Max bid

GBP

Estimate

1,000 - 2,000 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

75

Quantity

1

2,200 GBP

Opening bid

2,200 GBP

Max bid

GBP

Estimate

4,000 - 6,000 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

CROFTHOUSE, AN OIL BY WILIAM DRUMMOND BONE

76

Quantity

1

280 GBP

Opening bid

280 GBP

Max bid

GBP

Estimate

300 - 500 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

TWO GIRLS BY THE RIVER, AN OIL BY FRANCIS WALKER

78

Quantity

1

0 GBP

Opening bid

300 GBP

Max bid

GBP

Estimate

700 - 900 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

FIGURE IN LANDSCAPE, A WATERCOLOUR BY ROBERT SHOLTO JOHNSTONE DOUGLAS

93

Quantity

1

0 GBP

Opening bid

20 GBP

Max bid

GBP

Estimate

100 - 200 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

HOLD ON TIGHT, A PRINT BY MARIANA YAMPOLSKY

100

Quantity

1

110 GBP

Opening bid

110 GBP

Max bid

GBP

Estimate

300 - 500 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

VILLAGE SCENE, A WATERCOLOUR BY JAMES DUFFIELD HARDING

104

Quantity

1

0 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

200 - 400 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

105

Quantity

1

20 GBP

Opening bid

20 GBP

Max bid

GBP

Estimate

100 - 200 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

PORTRAIT OF MISS GUNNING, AN OIL BY GEORGE ROMNEY

106

Quantity

1

1,500 GBP

Opening bid

1,500 GBP

Max bid

GBP

Estimate

3,000 - 5,000 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

GIRLS GATHERING FLOWERS BY A STREAM, AN OIL BY WILLIAM STEWART MACGEORGE

109

Quantity

1

0 GBP

Opening bid

1,500 GBP

Max bid

GBP

Estimate

4,000 - 8,000 GBP

WILLIAM STEWART MACGEORGE RSA (SCOTTISH 1861-1934), GIRLS GATHERING FLOWERS BY A STREAM oil on canvas, signed 41cm x 51cm (approximately 16 x 20 inches) Framed and under glass. Note: William Stewart MacGeorge was born in King Street, Castle Douglas on 1 April 1861. Like his friend E A Hornel, he was the son of a shoe-maker. His father was David MacGeorge who, according to the 1861 census, was the employer of three men and a boy. He attended the Free Church School in Castle Douglas, where a fellow pupil was S R Crockett. Crockett included his childhood friends as characters in his 1894 novel "The Raiders", and captures MacGeorge’s happy disposition in the character Jerry McWhirter, “a roguish fellow that came to me to help with my land surveying, but was keener to draw with colours on paper, the hues of the landscape and the sea. But he was dearest to us because of his continual merry heart, which did us good like a medicine.” MacGeorge entered the Trustees Academy in Edinburgh in 1880 along with fellow Galloway boys E A Hornel and Thomas Bromley Blacklock. In 1881 MacGeorge and Crockett were lodging together at 50 St Leonard Street (Edinburgh). MacGeorge was a successful student being a prize-winner in his second and third years at art school, and had a work shown in the Royal Scottish Academy in 1881. In 1883 MacGeorge and Hornel enrolled in Antwerp’s Academie Royale des Beaux Arts, where MacGeorge again excelled under the rigorous discipline of Charles Verlat. On his return to Scotland he enrolled in the RSA Life Schools in Edinburgh, where he continued his studies and embarked on his professional career. Thereafter, MacGeorge divided his life largely between Edinburgh and Galloway. He lived at 11 Melville Place, Edinburgh during the winter and had a studio in Kirkcudbright in the summer. Works such as "A Galloway Peat Moss", displayed in the National Gallery of Scotland, is a fine example of a plein air realist work showing the influence of Jules Bastien – Lepage on Scottish artists while his "Halloween", shown at the RSA in 1893, and to which he returned in his diploma work of 1911, is an example of his interest in childhood rituals. The painting was well received when shown later that year at the Paris Salon. W S MacGeorge was the most naturalistic of the Galloway artists. Informal scenes of children at play are typical of his work. A favourite subject was the salmon fishers and their nets on the Dee at Kirkcudbright. Commenting on the RSA exhibition of 1910 "The Studio" observed, “One of the outstanding landscapes is Mr W S MacGeorge’s view of salmon fishers at dusk drawing their nets in the estuary of the Kirkcudbright Dee”. Relatively late in his life, MacGeorge married Mabel Victoria Elliot, a watercolour painter and widow of the artist Hugh Munro and settled at Gifford near Haddington. Ninety-nine of William Stewart MacGeorge's paintings are held in UK Public Collections. In The British & International Pictures Auction on 18th November 2020 lot 101, "The Hedgehog" by W. S. MacGeorge sold for £12,000 (hammer).

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

LANDSCAPE WITH ROCKY RIVER, AN OIL BY POLLOCK SINCLAIR NISBET

110

Quantity

1

0 GBP

Opening bid

100 GBP

Max bid

GBP

Estimate

300 - 400 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

CABBAGE PATCH, A STUDY ATTRIBUTED TO ROBERT MCGREGOR

112

Quantity

1

45 GBP

Opening bid

45 GBP

Max bid

GBP

Estimate

150 - 250 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

116

Quantity

1

500 GBP

Opening bid

500 GBP

Max bid

GBP

Estimate

800 - 1,200 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

SUNLIT WOOD WITH FIGURE, A WATERCOLOUR BY ROBERT SHOLTO JOHNSTONE DOUGLAS

119

Quantity

1

0 GBP

Opening bid

20 GBP

Max bid

GBP

Estimate

100 - 200 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

120

Quantity

1

0 GBP

Opening bid

200 GBP

Max bid

GBP

Estimate

500 - 800 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

WOODLAND LANDSCAPE, A LARGE OIL BY FRANZ OTTO WIEDUWILT

123

Quantity

1

60 GBP

Opening bid

60 GBP

Max bid

GBP

Estimate

200 - 300 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

COASTAL VILLAGE, AN OIL BY JAMES DOCHARTY

124

Quantity

1

0 GBP

Opening bid

100 GBP

Max bid

GBP

Estimate

300 - 500 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

PORTRAIT OF TERRICK WILLIAMS, AN OIL BY ALFRED AARON WOLMARK

125

Quantity

1

1,100 GBP

Opening bid

1,100 GBP

Max bid

GBP

Estimate

3,000 - 5,000 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

126

Quantity

1

0 GBP

Opening bid

3,000 GBP

Max bid

GBP

Estimate

8,000 - 12,000 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

VIEWS FROM MADRAS, A WATERCOLOUR BY R GOCINDA RAJ

133

Quantity

1

0 GBP

Opening bid

20 GBP

Max bid

GBP

Estimate

100 - 200 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

HORSE SKETCH, FROM THE CIRCLE OF SUNIL DAS

134

Quantity

1

50 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

100 - 200 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

ORIGINAL THEATRE COSTUME DESIGN BY ROBERT ST JOHN ROPER

135

Quantity

1

0 GBP

Opening bid

20 GBP

Max bid

GBP

Estimate

100 - 200 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

136

Quantity

1

0 GBP

Opening bid

20 GBP

Max bid

GBP

Estimate

100 - 200 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

138

Quantity

1

0 GBP

Opening bid

20 GBP

Max bid

GBP

Estimate

100 - 200 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

A GILMPSE OF WINDERMERE, A WATERCOLOUR BY DOROTHY SWEET

139

Quantity

1

0 GBP

Opening bid

20 GBP

Max bid

GBP

Estimate

100 - 200 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

THE CLYDE FROM THE MOOR ABOVE HELENSBURGH, BY ALEXANDER KELLOCK BROWN

140

Quantity

1

40 GBP

Opening bid

40 GBP

Max bid

GBP

Estimate

100 - 200 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

FISHING AT THE SHORE, A WATERCOLOUR BY A K BROWN

141

Quantity

1

0 GBP

Opening bid

20 GBP

Max bid

GBP

Estimate

100 - 200 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

OVERSHIE, ROTTERDAM, A WATERCOLOUR BY JAMES MCBEY

143

Quantity

1

300 GBP

Opening bid

300 GBP

Max bid

GBP

Estimate

600 - 800 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

SIZEWELL, SUFFOLK, A MIXED MEDIA BY JAMES MCBEY

144

Quantity

1

300 GBP

Opening bid

300 GBP

Max bid

GBP

Estimate

700 - 900 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

147

Quantity

1

0 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

200 - 400 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

AT WATER'S EDGE, A WATERCOLOUR BY TOM SCOTT

148

Quantity

1

0 GBP

Opening bid

150 GBP

Max bid

GBP

Estimate

400 - 600 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

THE HOUSE OF SALLUST, AN ETCHING BY WILLIAM WALCOT

149

Quantity

1

0 GBP

Opening bid

20 GBP

Max bid

GBP

Estimate

150 - 250 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

157

Quantity

1

0 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

200 - 400 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

164

Quantity

1

0 GBP

Opening bid

20 GBP

Max bid

GBP

Estimate

100 - 200 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

SALVATION OF THE VIRGIN, AN ETCHING AFTER REMBRANDT

166

Quantity

1

0 GBP

Opening bid

20 GBP

Max bid

GBP

Estimate

150 - 250 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

ANNETTE, AN ETCHING BY WILLIAM LEE HANKEY

167

Quantity

1

0 GBP

Opening bid

20 GBP

Max bid

GBP

Estimate

100 - 200 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

THE CALDARIUM, BATHS OF CARACALLA, AN ETCHING BY WILLIAM WALCOT

169

Quantity

1

0 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

200 - 400 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

170

Quantity

1

0 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

200 - 400 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

ENTRY OF THE CONSUL, AN ETCHING BY WILLIAM WALCOT

172

Quantity

1

0 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

200 - 400 GBP

Bid

Apr 18

Lot location: Glasgow

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

173

Quantity

1

0 GBP

Opening bid

500 GBP

Max bid

GBP

Estimate

1,500 - 2,500 GBP

Bid

Apr 18

Lot location: Glasgow

Auction currency	GBP
Buyer's premium	24 %
Online commission	3 %
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